Electrafixion was a short-lived band featuring Ian McCulloch and Will Sergeant of Echo and the Bunnymen. They only put out one album before reforming the Bunnymen, which Mac had left in the late '80s. Released in 1995, Burned, Electrafixion's one and only full-length release, was a sleek, confident update of the Bunnymen's sound. Although it came nowhere near the level of those blissful classic Bunnymen albums, it proved McCulloch and Sergeant still had some oomph left in them -- which hadn't been apparent in the Bunnymen's one Mac-less release or McCulloch's solo work.
One funny thing I recall about this show was how I got the tickets. I won them at another show from a DJ who offered them to the first person to identify a song he played. All my years of being a couch potato paid off when I immediately recognized Quincy Jones' theme from Sanford and Son and sent my friend running to the DJ booth.
The show was pretty great, at a much more intimate venue than the one the Bunnymen had played on their (seemingly) final tour with Mac. They seemed in good spirits and played a couple of Bunnymen songs, including "The Killing Moon," which inspired a middle-aged female fan to leap onstage and gyrate, much to the band's bafflement. This show is a memory I hold especially dear since Ian McCulloch was a cranky hot mess when I saw the reformed Bunnymen in Chicago over a decade later.
Showing posts with label Echo and the Bunnymen. Show all posts
Showing posts with label Echo and the Bunnymen. Show all posts
Sunday, October 23, 2011
Sunday, May 1, 2011
Echo & the Bunnymen: January 29, 1988
Like the INXS show I recently posted about, this was another fairly intimate show at the University of Michigan's Hill Auditorium that I feel fortunate to have seen. This turned out to be the last tour by the classic lineup of Echo & the Bunnymen that included drummer Pete de Freitas, who died in a motorcycle accident in 1989. Having endured a number of personnel changes and a hiatus, the Bunnymen are active today, but only guitarist Will Sargeant and singer/guitarist Ian McCulloch remain of the '80s version of the group.
The opening act was the Leather Nun, whose affected abrasiveness provided a very odd counterpart to the Bunnymen's slightly psychedelic pop. The Bunnymen were in good form and played many of their singles, including "Lips Like Sugar" and "Bedbugs and Ballyhoo" from their then-recent eponymous album. I remember them really rocking "Do It Clean," from their debut, Crocodiles. I also remember a girl in front of us who danced in a crazed way during certain songs, then would basically collapse into her seat for awhile.
As we often did for shows at Hill Auditorium, my friend and I waited out back to sneak a peek at the band as they boarded their tour bus. I remember McCulloch looked really worn out and not particularly happy. And that was likely the case; he left the band later that year to launch a solo career.
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